Quick video on using the double exposure feature on the Leica Sofort. Fun and easy for creative portraits. Www.levymoroshan.com And for your coffee needs: www.industrialcoffeecompany.com Video. Leica M-Multi-Functional Handgrip (M Typ 240) SKU: 51 Mfg Code: 14495. Many features of the multifunctional handgrip M includes an integrated GPS module thus allowing photographers to save exposure location information in the EXIF image data (geotagging) and later sort and display images according to this attribute. Jun 13, 2018 Of course, that’s because the Leica M-A can’t do anything beyond the bare essentials. There’s no auto-focus (of course), no exposure compensation or burst control buttons or depth of field preview. The M-A is the classic manual-focus rangefinder, and the epitome of simplicity.
EyeRes ® viewfinder Complete control at any timeThe Leica SL is the world’s first camera conceived for professional photography to feature an electronic viewfinder. With a latency time below the threshold of perception and an impressive resolution of 4.4 million pixels, the EyeRes ® viewfinder developed especially for the Leica SL gives you complete control over every picture you take.As its image can be electronically brightened, the EyeRes ® viewfinder is superior to optical viewfinders, particularly in challenging lighting conditions. It also offers all the options and features that only an electronic viewfinder can.
For instance, the particularly large, sensor-activated viewfinder with 0.8x magnification. always shows picture in its final form. The effects of all decisive parameters like exposure, depth of focus, and white balance are simulated and can thus be assessed before pressing the shutter release. Electronic functions like a dual-axis leveling aid, various grids, or Focus Peaking can be displayed in the electronic viewfinder to help you get the very best from your subjects.The Leica SL meets your professional video recording requirements with a zebra function for avoiding overexposure that can be added to the viewfinder image.
It’s also only natural that the Leica SL offers photographers who wear glasses a diopter compensation range of –4 to +2. For reviewing exposures, you can choose between the large touchscreen display and the EyeRes ® viewfinder, which offers optimum assessment of your pictures even in bright sunlight and makes viewing much easier for wearers of glasses.50 mm lens, set to infinity, –1 diopter. Full frameHighest picture quality under all conditionsThe 24 MP CMOS sensor of the Leica SL has 4000 × 6000 pixels with a pixel pitch of 6 × 6 µm² on an active surface area of 24 × 36 mm.
This means that you can depend on the imaging quality of a 35 mm, full-frame format.To ensure maximum image sharpness, the Leica SL intentionally does without a low-pass filter. The result is impressive dynamic range, excellent contrast rendition, exceptional sharpness, the highest resolution, and noise-free images in almost all lighting conditions. Particularly in challenging lighting situations, the interplay of the sensor with the Leica SL lenses reveals its full potential and delivers atmospheric exposures of superior quality within a sensitivity range of ISO 50 to 50000. The sensor also plays a key role in terms of the compatibility of the Leica SL-System. For instance, it is optimized for use with Leica M-Lenses and, in addition to supporting all functions, delivers exceptional picture quality that can be achieved only by Leica cameras. To make sure this stays this way, an ultrasonic sensor cleaning function ensures that finest dust is removed from the sensor surface every time the camera is switched on.A further highlight of the sensor is its Dual Gain architecture.
Data can be read from the sensor by two A/D converters with different gain factors. This enables a high dynamic range, improves low light capability, and prevents prevents clipping in highlights.The Leica SL thanks the exceptional speed of its autofocus to Depth From Defocus (DFD) technology. In conventional, contrast-based AF, the focusing point is determined by a gradual, step-by-step approach. DFD enables the camera to determine the focusing point by the comparison of only two images with different depth of field. This avoids the need for time-consuming “hunting”, and the fine-tuning is then performed by the comparison of contrast values. The telephoto zoom features double internal focusing (DSD™), in which two lens elements move towards each other. This enables very fast and almost-silent autofocus and consistently high imaging performance from infinity to its closest focusing distance.Of course, the Leica SL offers you a choice of AF-C or AF-S, depending on your subject, and the ability to switch from autofocus to manual focus using the ring on the lens at any time.
The Leica SL controls focusing with exceptional speed and precision on the basis of up to 529 AF focusing segments. For detailed work, the camera also offers the ability to set a single AF focusing point. Focusing can be set either by a simple tap on the touch screen on the part of the subject you wish to focus on, or automatically, by enabling the eye detection function.
Here, the Leica SL focuses sharply on the eye that is closest to the camera. Another useful aid, also when shooting video, is subject tracking. Here, when a particular object is marked with a focusing point, the focus is held on this object and follows its movement. For instance, you can take unlimited advantage of the high performance of Leica S- and M-Lenses. In the case of Leica M-Lenses, 6-bit coding preserves all functions, such as exposure metering, automatic aperture priority exposure, and manual setting, to their full extent. Thanks to the Leica R-Adapter L, even the extensive range of proven R-Lenses can be used on the Leica SL, including automatic identification of ROM-chipped lenses.
The PL adapter for Leica Cine lenses allows these to be used for high-quality video recording with the Leica SL. As further options, the image can be given a certain look with presets, or can be integrated in an existing layout to check its suitability.
Thanks to enhanced tethering technology, the software will not only display the image just taken. All exposures are immediately ready for postproduction. Tethered shooting enables more than efficient control and higher speed in the postproduction process: for example, Leica Image Shuttle 3.6 enables all image-relevant settings and parameters, and even variable positioning of the AF focusing point, to be made directly from the computer keyboard.Alternatively, tethered shooting workflows can also be realized with other software solutions. A plug-in for Adobe ® Photoshop ® Lightroom ® can be downloaded that enables the realization of a tethered shooting workflow with data transfer for direct image assessment and remote camera control. Should you prefer to use Capture One Pro ® software for postprocessing, Leica Image Shuttle can be easily integrated into your workflow with the “Hot Folder” function.As a wireless option, installing the Leica SL App on your mobile device offers wireless remote control capability for the camera and for reviewing your images. In Live View, you can remotely control your camera, set the focus and relevant parameters, and activate the shutter release – also when shooting video.
The screen of your device serves as an external viewfinder. You can assess, mark, or delete any picture you take directly from your mobile device. Another useful feature is the ability to post and share photos and videos across social media.Leica Image Shuttle 3.6 can be downloaded free of charge in the.The Leica SL app can be downloaded from theor from. With the aid of the Favorites menu, you can then access your most important settings with a single click. The four buttons around the back panel display and two further function buttons can all be freely programmed.
Navigation within menus is controlled by either the click wheel or the joystick. The required aperture and shutter speed are set with two separate dials. In addition to the shutter release and the dedicated video recording button, you will also find a button for switching between photo and video mode on the top plate of the camera.
Multi Exposure Photography
The stop-down button used to assess exposure and depth of focus is located on the front of the camera. Thanks to the touch screen, browsing through your exposures is child’s play. The handling concept of the Leica SL assists you in your work in the best possible way: the way you want.The Leica SL is tough and rugged and was conceived to fulfill the special needs of everyday professional photography. From elaborate construction and the use of selected materials to precise finishing. Its chassis, machined from a single block of solid aluminum, is built to resist the toughest conditions and offers perfect protection for the sensitive components inside the camera.
Leica M Multi Exposure Photos
The numerous seals protecting the camera body, its control elements, and the Leica SL-Lenses make it virtually impossible for dust, moisture, or water to get inside.Specially hardened exposed lens surfaces with AquaDura ® coating provide the lenses with additional protection against dirt, dust, and moisture. The results can be assessed through the extremely scratch-resistant and anti-smear coated real glass cover of the back panel display.
A special feature here is that the cover glass and the LCD panel form a single entity to prevent dust or dirt getting inside. This allows the output of professional videos in 10-bit, 4:2:2 format with 4K cine resolution and, in combination with HDMI recorders, the production of professional video footage.As soon as the Leica SL is in video mode, the display shows only information relevant to video recording, such as safe area, aspect ratio, zebra function, or the recording level of the microphone. As you would expect from professional equipment, the exposure is always displayed as it is during recording. An optional audio adapter allows you to connect an off-camera microphone and the audio recording level can be set without accessing the menu.
As when using the Leica SL for still pictures, you can depend on the excellent quality of motion picture recordings and enjoy almost boundless creative freedom. In combination with the excellent Leica Summilux and Summicron Cine lenses, and by working with 4K resolution in Super 35 format, you gain access to possibilities that were otherwise known only to professionals in the production of movies for the motion-picture industry. The light coming through the lens falls directly on the sensor, which delivers an uninterrupted live image to the electronic viewfinder. This live image takes all camera settings and exposure parameters into account and, if desired, also displays additional information. The viewfinder displays 100% of the subject.
The image in the EyeRes viewfinder can be magnified, for instance, to assess sharpness and subject details. In contrast to an SLR camera, the scene remains visible in the viewfinder during video recording. The viewfinder image always remains bright and clear no matter how fast the lens may be. The view also stays bright when stopping down and makes assessing depth of focus much better and easier than with an SLR.
As the capture format of the sensor can be changed electronically, even lenses that do not cover the entire image circle generate a full-size viewfinder image. As there is no mirror and prism assembly, the camera can be slimmer and more compact.
For example, viewed from side, the Leica SL is only 35 mm thick. As the complex mechanisms of an SLR are no longer required, the Leica SL is less prone to mechanical failures. As there is no mirror slap, it is also much quieter in use. Thanks to its short register, many different lenses can be mounted with appropriate adapters – even lenses for cinematography. The L-Mount marks the start of a new era of lens compatibility without compromise. Never before has one lens mount standard allowed for an almost limitless array of options in combining different interchangeable lenses with cameras featuring different sensor formats.With the alliance between Leica Camera, Panasonic and Sigma, a collective 250 years of experience in the field of lens and camera construction will be combined into one platform. For the photographer, this opens up the chance to utilize endless variations of camera-lens combinations from the extensive product portfolios of all three manufacturers, allowing them to always find the best solution for their needs and any photographic situation.Find out more at.
Order no.19115 (E-Version), 19116 (U-Version), 19117 (TK-Version), 19118 (IN-Version)LensLeica DC Vario-Summilux 10.9-34 f/1.7-2.8 ASPH., 35mm camera equivalent: 24 - 75mm, aperture range: 1.7 – 16 / 2.8 - 16 (at 10.9 / 34mm)Optical Image stabilizationOptical compensation systemDigital zoomMax. 4xFocusing rangeAF0.5m / 1´6“ to ∞AF Macro / MF / Snapshot Modes / Motion PicturesMaximum wideangle setting: 3cm / 1 3/16“ to ∞Maximum telephoto setting: 30cm / 1 17/8“ to ∞Image sensor4/3“ MOS sensor, total pixel number: 21,770,000,effective pixels: 17,000,000, primary color filterMinimum Illuminanceapprox. 5lx (when i-Low light is used, the shutter speed is 1/30 s)Shutter systemElectronically and mechanically controlledShutter speedsStill picturesT (max.