Which is available with Adobe's, is at the core at the majority of, and artists and ' workflows, because it offers a range of tools which can be adapted for a huge range of tasks from simple lower-thirds text and titles to full 3D stereo compositing for feature films.In many ways, After Effects is but for moving footage, and, just like Photoshop, it can seem intimidating to new users and feel like your only ever using 10 per cent of the full power of the application.But it's worth perservering. Because of the effective reduction in cost of After Effects (thanks to its inclusion in the Creative Cloud suite), it can offer a range of tools that can augment Photoshop. And as because it can import both PSD and AI files natively, your workflow should stay the same.Once I'd got over the initial 'hump' of learning where all the tools were, After Effects was one of the most creative applications I have ever used. Here are some of my top tips to help get the most out of this 'Jack of all Digital Trades' Projects and Compositions. Keeping the ‘Project' palette organised is one of the most important things to learnOne of the initial challenges with After Effects is understanding the difference between Projects and Compositions. Download homebrew channel wii 4.3u.
In After Effects there is only ever one project open, which acts as a container for all of the compositions and other files needed which are all situated and accessed in the Project Panel.When saving an After Effects file, this is the Project file, which saves all the information regarding all the compositions contained within the project.Get startedTo make a new composition, use the CompositionNew Composition menu item, which gives a panel for entering the settings required. Using an image as a Luma matte with the ‘TrkMat' dropdown in the layers palette is one of the many ‘hidden' features of After Effects layersGetting to grips with layers and the timeline in After Effects is the key to unlocking the true power of After Effects. This is due to the fact that the majority of the animation controls are situated here such as keyframes, but also that there is a huge amount of 'hidden' functionality which is not immediately apparent.Layers can be parented to one another via the small 'pickwick' or dropdown, which can be great for animating. Layers can be hidden from the timeline when not required via the 'shy' button. Animation curves are also available here for when fine control of animation falloffs are required.One of the most useful functions of layers is using footage or an object in one layer to act as a matte (or mask) for the layer beneath it. Place the layer to be used as a matte immediately above the content layer.
You have told After effects that you want it to start at a given value A, move to another value B and eventually move to another value C, but you haven't told it that you still want it to be B for a while. You simply need to add an additional key frame at the end of the time period that you want the value to stay the same. Apr 24, 2012 wiggle on a certain time. Direct your questions about Adobe After Expressions here. Adobe After Effects Expressions Forum. SUBSCRIBE LOGIN. Forums tutorials & features news blogs jobs services newsletter. FORUMS: list search recent posts. Wiggle on a certain time. Next let’s get After Effects to spit the continuously changing countdown number back at us. Here’s how we do that: Enter “clockTimeNumber = rateOfSpeed.time;” This returns a crazy string of numbers. Let’s simplify: Change “clockTimeNumber = Math.floor(rateOfSpeed.time);” Number looks better.
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On the content layer use the 'TrkMat' dropdown to choose how the mask layers should interact with the footage layer, either via transparency (Alpha) or image brightness (Luma). Expressions can be used to animate without keyframes as well as create text on the flyAnother great feature which lives within a layer is expressions.
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Expressions are a simple scripting language which allows much more granular control of parenting a layers attributes to another in the same or different composition.That is just scratching the surface of what is possible with expressions. Expressions can be used to control practically everything within After Effects from inputting text through to creating animation cycles which require no keyframes.Expression attributes can be easily added once they have been enabled to a layer from a dropdown, and there is a wealth of resources and existing expressions online which can help both when deadlines are tight and as the syntax of After Effects expressions is reasonably clear, help in learning how to create your own expressions. Animated typography. After Effects can allow you to animate text in seconds in 2D and 3DCreating with After Effects is great fun, with a powerful selection of bespoke animation tools when using the dedicated text object layer, it is easy to create a wide range of animations both in 2D and 3D because text in After Effects is able to follow 3D paths.Do not worry if the effects controls seem counterintuitive, After Effects already comes with a wide range of text animations which can be applied by dragging them from the handy 'Effects and Presets' palette.
To access the text animation effects go to the.Animation PresetsText Menu and there is a huge range of animations to get going, which again be easily deconstructed to make your own.Shape layers. Shape Layers offer a huge array of vector animation possibilities, from replicating shapes to animating path growthShape Layers in After Effects allow the creation of vector shapes, and with After Effects bezier tool selectors is 'almost' a mini Illustrator. To add a shape layer, either use the 'LayerNew Shape Layer' menu item, or press the rectangle shape in the tool bar to choose from a range of starter shapes. Using different layouts for specific tasks, such as sculpting in Cinema 4D studio quickly sppeds up your workflow. With a little bit of practise the Roto and Refine brushes can revolutionise rotoscoping tasks such as extracting element from video footageAs well as motion graphics tools, such as the typography and shape layers.
After Effects is also a visual effects powerhouse. One of the most important new tools to arrive in After Effects when creating VFX is the RotoBrush. Rotoscoping is the process of extracting elements from video footage or the cleaning footage of unwanted elements.After Effects' Rotobrush speeds up what was time intensive process of masking, by allow the user to paint the area to be removed on one frame and then After Effects can extrapolate that through the rest of the footage. The 'Refine Edge' tool was added to the Rotobrush toolset in After Effects CC which has greatly improved the performance and accuracy of the RotoBrush, many times handling shots which will make you believe in magic, it chomps through tasks such as the extraction of wispy hair from a video plate in minutes rather than hours. After Effects plugins like Magic Bullet Looks can change the way you work for the betterOne of the great things about Adobe switching to a subscription model is that when new features are ready they are added to applications rather than waiting for the next big point release. However there are still times when After Effects won't be able to do what is required for the job.Instead of looking for another application, check out the huge range of to see if you can find one that does what's needed.
While it can be irritating paying for plugins, the functionality that they can offer can pay for itself. After Effects has a fantastic array of plugins for creating beautiful 3D particle systems such as the Form, Particular and Plexus.A plugin like Element 3D from VideoCoPilot can import and create photoreal 3D models allowing you to animate them directly in After Effects without needing to roundtrip with Cineware or other 3D Application. Then there are the colour tools such as Magic Bullet Looks which can change the way footage looks using a wonderfully intuitive interface.
The list of plugins and what they can add to After Effects is practically endless.One of the best places to start looking for plugins for After Effects is. This site collates a wide range of scripts from around the world, and the creators also write their own. Gems like BGrenderer which for $35 allows the render of After Effects composition more quickly than using the normal render dialogue while allowing you to still work in After Effects are more than worthy of the asking price! ConclusionHopefully this quick guide has shown you what After Effects can add to a design workflow.
The great thing about using After Effects is that once you dive in, it is one of the most 'fun' applications to work with. Very rarely is there a animation or VFX challenge which After Effects with its huge array of core tools and plugins can not handle.Words:Mike Griggs is a freelance concept 3D, VFX and motion graphics artist working across TV, exhibition and digital design.Liked this? Read these!. Create a perfect with these pro tips. The best of 2015.
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